Saturday, November 25, 2017

'Hidden Character Motives in The Crucible'

'The characters in The crucible control many an(prenominal) secret mystical motivations and needs. For workout, Abigail Williams compels it obvious that her chief(prenominal) desire is derriere Proctor by her hatred for his wife. She had an contact with him and does not essential anyone to find protrude it. Abigail loves John so very much that she would do anything to have him, til now if that means putting to death his wife, Elizabeth Proctor. So she drinks a charm to wipe out Elizabeth Proctor, in fancy of taking her place. Abigail decides to overhear the witchcraft stories and tear other good deal in the town, including Elizabeth Proctor. end-to-end the witchcraft hysteria, Abigails motivations neer seem to be to a greater extent than jealousy and a desire for revenge on Elizabeth Proctor for melanize her name. Abigail Williams is clearly the villain of the mutant. She tells lies, manipulates her friends, and eventually sends 19 innocent muckle to their d eaths. One example of Abigails flagitiousness from the play is when she says, Let any of you breathe a word, or the leaping of a word, roughly the other things, and I depart settle to you in the threatening of some solemn night and I will contribute a pointy numbering that will jounce you. And you know I can do it; I motto Indians smash my secure p arnts heads on the breathe next to mine and I have seen some red-faced work make at night, and I can make you wish you had never seen the sun go down! (Miller 1268). This inverted comma gives the reader a glimpse of Abigails remorseless nature. She fully understands what will happen to those open up guilty of witchcraft which makes her accusations even more disturbing. The quote intimately Indians would make the reader feel no-good for her if they didnt know what an evil person she was. \n two noble-minded Parris and Abigail Williams are examples of people face to benefit themselves. Reverend Parris would always n eed what he was getting from situations. In the first-class honours degree of the play, he was lean about how much wood he was getting, how much he was being paid, ...'

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